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<!--Generated by Squarespace Site Server v5.9.2 (http://www.squarespace.com/) on Wed, 10 Mar 2010 23:19:22 GMT--><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rss="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:cc="http://web.resource.org/cc/"><rss:channel rdf:about="http://www.essential-films.co.uk/home/"><rss:title>Home</rss:title><rss:link>http://www.essential-films.co.uk/home/</rss:link><rss:description></rss:description><dc:language>en-GB</dc:language><dc:date>2010-03-10T23:19:22Z</dc:date><admin:generatorAgent rdf:resource="http://www.squarespace.com/">Squarespace Site Server v5.9.2 (http://www.squarespace.com/)</admin:generatorAgent><rss:items><rdf:Seq><rdf:li rdf:resource="http://www.essential-films.co.uk/home/dickson-experimental-sound-film-1894.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/charles-kayser.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/the-boxing-cats-prof-weltons-1894.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/carmencita-i.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/edison-kinetoscopic-record-of-a-sneeze-1894.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/john-ott-ii.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/carmencita-1894.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/edison-manufacturing-company-us.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/blacksmith-scene-1893.html"/><rdf:li rdf:resource="http://www.essential-films.co.uk/home/william-heise.html"/></rdf:Seq></rss:items></rss:channel><rss:item rdf:about="http://www.essential-films.co.uk/home/dickson-experimental-sound-film-1894.html"><rss:title>Dickson Experimental Sound Film (1894)</rss:title><rss:link>http://www.essential-films.co.uk/home/dickson-experimental-sound-film-1894.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-03-05T01:00:17Z</dc:date><dc:subject>1894 Films US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/film/Dickson%20Experimental%20Sound%20Film%201894.jpg"/></span>

<p style="text-align: left;"><strong>William K.L. Dickson</strong> | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201891-1896.bmp" title="United States of America"/></p>

The first sound film was released with its original soundtrack only in the 21<sup>st</sup> century. Originally a technical failure, nowadays <em>Dickson Experimental Sound Film</em> looks as one of the most original pieces in the early cinematic oeuvre.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/charles-kayser.html"><rss:title>Charles Kayser</rss:title><rss:link>http://www.essential-films.co.uk/home/charles-kayser.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-03-02T01:00:00Z</dc:date><dc:subject>1878 1966 Artists GB</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/artist/Charles%20Kayser.jpg" title="Charles Kayser"/></span>

<p style="text-align: left;"><strong>Actor</strong> | (1878-1966) | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20Kingdom%20of%20Great%20Britain%20and%20Ireland%201801-1927.bmp" title="United Kingdom of Great Britain and Ireland"/></p>

When Edison desired an improved motion picture camera, he did not turn to his most prolific film inventor, William K.L. Dickson, but rather to one of his most trusted assistants, Charles H. Kayser. The development of the kintetograph, as a result, found itself a poster boy for the contemporary press.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/the-boxing-cats-prof-weltons-1894.html"><rss:title>The Boxing Cats (Prof. Welton's) (1894)</rss:title><rss:link>http://www.essential-films.co.uk/home/the-boxing-cats-prof-weltons-1894.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-02-26T01:00:00Z</dc:date><dc:subject>1894 Films US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/film/The%20Boxing%20Cats%20Prof.%20Welton%27s%201894.JPG"/></span>

<p style="text-align: left;"><img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201891-1896.bmp" title="United States of America"/></p>

A film, which would surely run into trouble with animal rights activists nowadays, is also one of the most entertaining works of the early silent cinema. <em>The Boxing Cats</em> stars vaudeville artist Henry Welton and two of his trained cats, caught in an intense boxing match.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/carmencita-i.html"><rss:title>Carmencita (I)</rss:title><rss:link>http://www.essential-films.co.uk/home/carmencita-i.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-02-23T01:00:00Z</dc:date><dc:subject>1868 1910 Artists US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/artist/Carmencita%20I.jpg" title="Carmencita"/></span>

<p style="text-align: left;"><strong>Self</strong> | (1868-1910) | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201867-1877.bmp" title="United States of America"/></p>

Carmencita can be seen performing one of her dance acts from 1890 in <em>Carmencita</em> (1894). With that film she scored a few firsts in film history. This was the first time a woman appeared in a motion picture made in USA.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/edison-kinetoscopic-record-of-a-sneeze-1894.html"><rss:title>Edison Kinetoscopic Record of a Sneeze (1894)</rss:title><rss:link>http://www.essential-films.co.uk/home/edison-kinetoscopic-record-of-a-sneeze-1894.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-02-19T01:00:00Z</dc:date><dc:subject>1894 Films US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/film/Edison%20Kinetoscopic%20Record%20of%20a%20Sneeze%201894.jpg"/></span>

<p style="text-align: left;"> <strong>William K.L. Dickson</strong> | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201891-1896.bmp" title="United States of America"/></p>

In <em>History of the Kinetograph, Kinetoscope and Kinetophonograph</em>, Antonia Dickson claims that there were countless attempts to shoot Fred Ott sneezing, yet none of the ingredients seemed to work on the poor fellow. It took a few days by the time the famous sneeze came to life.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/john-ott-ii.html"><rss:title>John Ott (II)</rss:title><rss:link>http://www.essential-films.co.uk/home/john-ott-ii.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-02-15T01:00:00Z</dc:date><dc:subject>1850 1931 Artists US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/artist/John%20Ott%20II.jpg" title="John Ott"/></span>

<p style="text-align: left;"><strong>Actor</strong> | (1850-1931) | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201848-1851.bmp" title="United States of America"/></p>

A longstanding friend and a devoted employee, John Ott was one of the most important individuals to work with Edison on most of his inventions, including the kinetoscope. With over a dozen patents under his name, he established himself as an inventor, despite attributing most of them to Edison.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/carmencita-1894.html"><rss:title>Carmencita (1894)</rss:title><rss:link>http://www.essential-films.co.uk/home/carmencita-1894.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-02-11T01:00:00Z</dc:date><dc:subject>1894 Films US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/film/Carmencita%201894.jpg"/></span>

<p style="text-align: left;"> <strong>William K.L. Dickson</strong> | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201891-1896.bmp" title="United States of America"/></p>

Carmencita, the Spanish Gypsy dancer nicknamed the "Pearl of Seville", was the first woman to appear on celluloid in the United States. Watching her dance is still a pleasant experience more than 100 years since the film was shot.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/edison-manufacturing-company-us.html"><rss:title>Edison Manufacturing Company [us]</rss:title><rss:link>http://www.essential-films.co.uk/home/edison-manufacturing-company-us.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-02-08T01:00:00Z</dc:date><dc:subject>1890 1911 Companies US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/artist/Edison%20Manufacturing%20Company%20us.jpg" title="Edison Manufacturing Company"/></span>

<p style="text-align: left;"><strong>Production Company | Distribution Company</strong> | (1890-1911) | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201890-1891.bmp" title="United States of America"/></p>

Edison’s flavour for technology could hardly miss the temptation to embark on the development of moving images. The early patent war with the European inventors has hardly put the avaricious businessman in a good light in contemporary criticism.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/blacksmith-scene-1893.html"><rss:title>Blacksmith Scene (1893)</rss:title><rss:link>http://www.essential-films.co.uk/home/blacksmith-scene-1893.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-02-03T01:00:00Z</dc:date><dc:subject>1893 Films US</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/film/Blacksmith%20Scene%201893.jpg"/></span>

<p style="text-align: left;"> <strong>William K.L. Dickson</strong> | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/United%20States%20of%20America%201891-1896.bmp" title="United States of America"/></p>

What a genuine sense of fun lurks in this picture! Three blacksmiths go about their business, hammering intensely on a metal rod. The job says that the metal should be cooled from time to time, and the blacksmiths believe that the human body needs its own refreshment.]]></content:encoded></rss:item><rss:item rdf:about="http://www.essential-films.co.uk/home/william-heise.html"><rss:title>William Heise</rss:title><rss:link>http://www.essential-films.co.uk/home/william-heise.html</rss:link><dc:creator>Ion Martea</dc:creator><dc:date>2010-01-28T01:00:00Z</dc:date><dc:subject>1847 1910 Artists DE</dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img style="height: 100px" src="http://www.essential-films.co.uk/storage/artist/William%20Heise.jpg" title="William Heise"/></span>

<p style="text-align: left;"><strong>Cinematographer | Producer | Director | Actor</strong> | (1847-1910) | <img style="height: 12px" src="http://www.essential-films.co.uk/storage/country/Kingdom%20of%20Prussia%201803-1867.bmp" title="Kingdom of Prussia"/></p>

The German-born American filmmaker William Heise can easily be considered the first professional director of photography. He has shot nearly 150 short films in the last decade of the 19th century, yet it is surprising how little biographical evidence is currently available about him.]]></content:encoded></rss:item></rdf:RDF>